A review by Brenda Daniels
In a near-future scenario the earth is subject to failing crops and no rain. Massive dust storms cover everything in layers of dirt endangering people’s health and leaving an empty, hopeless pall over mankind’s survival. Enter Cooper (Matthew McConaughey), an incorrigible scientist. Cooper is also a farmer, former astronaut and widower with two children.
One of those children, Murph (Mackenzie Foy as young Murph and Jessica Chastain as adult Murph), encounters what appears to be supernatural phenomena in her bedroom. Someone or something from “beyond” is trying to communicate with her. This scene involving books that fall in a seemingly random manner, and dust that settles in unnervingly systematic lines, is a very important part of the plot, an element that is resolved for viewers only at the end of Interstellar.
In a bizarre mix of science and what appears to be the supernatural Cooper is “called” to embark on a space mission that will save mankind. Joined by Amelia (Anne Hathaway) and others, the astronauts leave earth in search of previously earmarked destinations in order to evaluate their viability as a replacement home for mankind.
They will either return for the humans on earth or start a new “colony” with specially prepared human embryos.
What makes the story fascinating, however, is not the future setting or its intergalactic nature, but its intriguing exploration of the space-time-gravity continuum. Explaining too much here would spoil the adventure for viewers.
Suffice to say that Interstellar is a multi-layered space adventure that also examines the human heart and its capacity (or not) for altruism. Matthew McConaughey and Jessica Chastain give particularly good performances. Michael Caine and Matt Damon also star.
Interstellar opens at all cinemas in South Africa on Friday 7 November. It runs for a lengthy, but absorbing, two hours and 50 minutes.