Call Me By Your Name is the beautifully acted story of a love affair that develops between a teenage boy, Elio (Timothée Chalamet), and his father’s student research assistant, Oliver (Armie Hammer). The story is one of emerging identity – hence the title. Set as it is in the 1980s, identifying oneself as gay then would not have been easy, and any ‘victories’ in this regard are swallowed up by societal norms. The setting is in Italy at Elio’s parents’ villa, a home the family occupies away from the USA during the summer. A mix of languages (English, French, Italian and German) and a background of academia in the form of literature and archaeology are layered onto the mellow Italian lifestyle setting. The mixture makes for an attractive exoticness. But it’s not enough to give Call Me By Your Name enough depth. The developing relationship is foregrounded and is dealt with sensitivity, yes. But at two-and-a-half hours in length the light treatment of the social and intellectual landscape leaves Call Me By Your Name lacking in oomph. The excellent acting – especially by Timothée Chalamet – is certainly a redeeming factor.
Call Me By Your Name opens at cinemas in South Africa on 23 February 2018. It carries an age restriction of 16 for DLNS.
Two upcoming titles I like the look of:
Romeo & Juliet – Ballet in cinema – exclusively at Cinema Nouveau theatres from 3 March 2018. Watch a snippet of the magic here: WATCH THE OFFICIAL TRAILER OF BOLSHOI BALLET IN CINEMA – SEASON 2017-18 SEASON HERE
Game Night – an action comedy – in Ster Kinekor theatres from 2 March. Jason Bateman and Rachel McAdams star in New Line Cinema’s action comedy about a board games night with six highly competitive gamers. The evening becomes mysterious and rather ‘real’…
Tonya Harding was an American figure skater who qualified for the Olympics in her sport in the 1980s and 1990s. Tonya was – by admission in the film – an uneducated ‘redneck’ from a poor family. She was a brash, foul-mouthed girl who had neither the cash, the style nor the inclination to conform to the ‘good American girl’ image her status as a champion skater demanded. An ‘incident’ in which a rival skater was attacked and seriously injured, added to Tonya’s infamy and led to severe consequences for Tonya’s career.
I, Tonya is Tonya’s story. And that of her husband’s. Her mother’s. And her coach’s. All these ‘versions of the truth’ are presented in a documentary style with mock interviews of the characters interspersing the action. The aim of the film may have been to create a more sympathetic image for Tonya. She was a brilliant skater – the only one of very, very few women who could do a move called the triple axel. And she did this despite a background that worked against her: a relentlessly hard mother, a low-class husband who hit her, and no education.
But what the film also does, importantly, is mock the press and the public’s acceptance of what is dished up to it. It highlights – and therefore questions – the unfairness of American society and what/who is deemed acceptable. Tonya is portrayed to some extent as a victim of her circumstances. The interviewees – including a self-proclaimed bodyguard and and secret agent – speak with irony, creating a sort of black comedy effect. The result is that the viewer is left wondering, not so much what the truth really is, but how society forms opinions and unfairly demands conformity.
Australian actress Margot Robbie is excellent in her role. She pulls off the hick, tough and graceless (only off the ice) Tonya really well. She even does a lot of the skating scenes herself. Alison Janney is likewise very good as LaVona Golden, Tonya’s harsh mother.
I, Tonya is really worthwhile viewing. It opens at Ster Kinekor cinemas in South Africa on 16 February 2018 and carries an age restriction of 16 for DLSV.
The thrill of my recent trip to New York began on the flight there when I watched the film Goodbye Christopher Robin. Already
Winnie-the-Pooh and friends at the New York Public Library January 2018
screening on international circuits, the film only releases in South Africa on 16 March 2018. I enjoyed this depiction of how author Alan Milne came to create the Winnie-the-Pooh stories and was delighted, therefore, to come across a brand-new exhibit of the original Winnie-the-Pooh toys when visiting the New York Public Library the day we arrived. There in a glass cabinet, in the children’s book section of this vast and beautiful library, sat Winnie, Piglet, Eeyore, Tigger and Kanga – all recently restuffed and nicely spruced up.
Goodbye Christopher Robin shows the developing relationship between playwright A. A. Milne (known as Blue to his son) and his son Christopher Robin (nicknamed Billy Moon and acted by the very cute Will Tilston). Further, the film depicts how, during an enforced time together in their ‘hundred-acre-wood’ estate, Blue and Billy Moon come up with the Winnie-the-Pooh characters’ names and the imaginative story millions of people know so well today. The unexpected fame and fortune that followed publication unfortunately came at the expense of the ‘real’ Christopher Robin. As a result Milne refused to write any more Pooh stories – in an effort to repair the father-son relationship. Despite this sobering biographical account the movie didn’t take away for me the magic of encountering gentle Pooh and his pals.
Me and Pooh
Another film I saw onboard (it’s a long flight to New York from South Africa) was the documentary We Will Rise. The film shows former-first lady of the USA, Michelle Obama, together with actress Meryl Streep, journeying to Morocco and Liberia where they meet girls from disadvantaged backgrounds. Obama’s mission was to encourage these young ladies in their efforts to overcome enormous obstacles to be educated. The documentary wasn’t comprehensive and seemed to err more on the side of publicity than practicality. But it did serve to underline Obama’s (and Streep’s) concern for women, for education, and for Africa. With the present US president’s recent utterances on Africa as ‘sh*thole countr(ies)’ (see http://bit.ly/2D4Pks5 for further reading on this subject), I was struck by the contrast between the two presidencies. Trump’s remarks took on a further bigoted, hypocritical and inexcusable tone for me when, a day after arriving in New York, I visited the New-York Historical Society. This museum explores the history of New York and includes a 20-minute film of the process. In virtually the opening lines of the film the narrator states that New York was built on three pillars – one of which was slavery.
The confluence of (movie) reels and real life really makes you think sometimes…
Michelle Obama and the We Will Rise programme
I’ve been enjoying the My French Film Festival from the comfort of my own laptop this week. The fully online festival, which started on 19 January, runs until the 29th so you still have a few days left to watch. It’s free in Africa – hooray! Tip: logging in via Facebook is an easy login option. Check out the MyFFF at https://www.myfrenchfilmfestival.com. There are a number of shorts (12 minutes, 25 minutes long) as well as feature films.
A Wedding is one of the MyFFF feature films I can really recommend. It’s the story of 18-year-old Zahira who lives with her Pakistani family in Belgium. Zahira is embedded in her Western lifestyle yet loves her traditional family. The film addresses a number of sensitive issues and how the two cultures merge and clash. The issues are: abortion; arranged marriage versus the freedom to choose a partner; religion/culture in a secular society; patriarchy; and the violence that stems from defending family honour.
Coming out on circuit today is The Post, starring Meryl Streep and Tom Hanks. I definitely want to see that one!
- The film Dunkirk received eight nominations for Warner Bros on 24 January from The Academy of Motion Picture Arts & Sciences. I saw this film in 2017 on IMAX – the experience, the tension, the filming were fantastic. #TimesMediaFilms
- A South African Western ?!. That’s right folks Five Fingers for Marseilles – a modern-day South African Western – is coming to South African cinemas in April 2018. #indigenousfilm.co.za.
- Since Cinema Nouveau at Gateway in Durban combined premises with the classic Ster Kinekor theatres, nouveau movies have not always been clearly demarcated. Just so you know for this weekend, the top 10 Nouveau movies at the moment are: Murder on the Orient Express; Wonder; Beatriz at Dinner; Thank you for your Service; Molly’s Game; Brad’s Status; Victoria and Abdul; Wonder Wheel; Marshall; Battle of the Sexes. #cinemanouvea
Do you know where Ballarat is? Well, for fans of DSTV’s The Doctor Blake Mysteries, it’s the Australian town where Doctor Lucien Blake works as police surgeon. In real life Ballarat is indeed in Australia and lies close to Melbourne, Victoria.
In the lift of the Rendevouz Hotel in Scarborough, Perth
I’ve never been to Victoria but on a recent trip to Perth, Australia, I found myself thinking of this charming mystery series, drawing a number of parallels with my experience. Blake is played by Craig McLachlan, who, according to his IMDB profile, is an experienced all-rounder. In his role as doctor-cum-detective McLachlan/Blake always looks dapper in a suit and hat and is the perfect 1950s gentleman. Today’s Perth, like McLachlan, has much to offer: a superb public transport system, beautiful beaches, and a growing business sector. But, like Blake, Perth also has a sort of ‘old’ feel about it. The bus service, the litter-free suburbs, the single-storey shopping areas that appear en route without fanfare, the quietness, the tree-filtered sunlight (even in desert-like Perth).
We stayed on the 23rd floor of this 25-level hotel that actually has only 17 floors. Huh?! It’s not like they could slot the missing floors in…
Although The Doctor Blake Mysteries doesn’t feature much humour a lovely Australian film that does is the The Dish (2000). It’s the based-on-truth story of how a huge satellite dish in a remote farming town in Australia was surprisingly used to assist in the 1969 Apollo space mission to the moon. The dish is manned by overawed locals who make several huge mistakes (like losing the rocket). I enjoyed the quirky, non-Hollywood characters and the gentle pace of the story. In The Dish, something big and important – like working for NASA – was cloaked in likeable, down-to-earth characters. A little like Perth. Perth is a place of obvious development and opportunity. But dressed in a certain simplicity and quaintness. Almost like you’re waiting for something to happen.
I’ll be watching episode seven of Doctor Blake season five tonight. To see what happens next.
I arrived in a freezing Germany on 9 December 2017. My goal: to visit the Christmas market at Marienplatz, Germany. Bundled up in five layers of my paltry southern hemisphere winter wear, my eyes watering in the cold, I braved the outdoor experience alongside my husband.
A gluhwein stand
The atmosphere was marvellous. Stands of hot chocolate and gluhwein steamed invitingly in the biting air, while visitors and tourists waddled past in their padded coats. Just taking off my gloves to examine little goodies at the stands froze my bony fingers. Shopkeepers helpfully spoke English when I looked blank at the German tongue, and people seemed generally cheerful despite the minus one degree Celcius temperature. It took three trips to the market before I had decided on what to buy. South African Rands don’t make much of a dent in Euros. And, to my practical mind, many of the ornaments and trinkets, nice as they were, wouldn’t have been very useful.
I settled on buying traditional food. The stand that got my Euros was the one
A strange kissing companion
that offered tasting samples and I enthusiastically bought packs of stollen (a fruit bread) and lebkuchen (a ginger-type biscuit) for friends and family back home after nibbling the delicious little blocks.
We had just got back to our hotel room when it began to snow in earnest. I was delighted. In two hours every horizontal surface I could see was covered in soft whiteness. But of course, with icy weather comes travel problems. My departing aeroplane that night had to undergo special de-icing procedures before it could safely take off. I have to say that this was the best part of my trip. Because I have a cockpit pass I was permitted to sit in the cockpit for taxi and takeoff and what a view I got. Before taking off the Airbus A340 was surrounded by three giant de-icing vehicles. Like weird-looking Transformers (I think the creators of the film based their models on these machines), the trio scooted back and forth around the wings and tail spraying 60 degree Celcius liquid across its surface. Using a checklist designed for such conditions the pilots did all the requisite checks and procedures before lifting off the icy runway. Beneath us the whitened landscape twinkled in gentle yellow lights until it disappeared beneath a layer of cloud.
What a treat. Sitting in the cockpit was much more exciting than any movie I could have watched on the aeroplane’s entertainment system.
My funny husband
Source: Common Sense Media
Kidnap has a simple plot. Mother loves son; son is kidnapped; mother stops at nothing to find son. The premise is equally simple: this mother is one tough cookie and shouldn’t be messed with.
The story is set up for the viewer right at the beginning. Karla Dyson (the beautiful Halle Berry) is a struggling waitress who works in a useless restaurant with awful customers. Her son – Frankie (Sage Correa) – is her life. Her ex-husband wants custody of the boy. So when Frankie is inexplicably taken from a funfair (where Karla just sees him being bundled into a car) she has nothing but her son to lose.
The rest of the film makes room for Karla’s development. As Karla becomes more exasperated with the kidnappers – and the authorities – she grows even more determined and resilient. Several external factors make her job harder: she loses her phone, she runs out of petrol on this (very) long drive, and she tries to trade her purse for the boy. What doesn’t seem to get in her way, however, are the public in general and any physical injuries. At certain points cars are spaced evenly so that the baddies and their pursuer can easily dodge in and out. And despite several horrendous crashes Karla surfaces each time to continue her pursuit.
What Karla eventually finds is something part of a much bigger issue which does lend more purpose to this car chase. The final scenes are quite nail-biting too. But on the whole Kidnap is too formulaic and superficial to be much more than a showcase for how tough and capable this modern woman is.
Kidnap opens at cinemas in South Africa on 8 December 2017. It carries an age restriction of 13V. #FridayFun