Two film reviews by Brenda Daniels
That Sugar Film
Do you remember Super Size Me, the 2004 film that featured Morgan Spurlock eating only McDonald’s food for a month? In that documentary-style movie the vices of fat, particularly trans-fats in food, are exposed. Spurlock experiences weight-gain, liver problems, lethargy and nausea. That Sugar Film, released in South Africa on 31 July 2015, follows the same format, with a similar outcome for experimenter Damon Gameau, only this time it’s sugar that is the enemy. And the low-fat diet.
The low-fat diet, promoted for decades as the healthy way to eat, is responsible for added sugar in processed food, the film contends. This is because food still needs to taste good. In order to keep the food tasting good once the fat is removed, sugar is added. That Sugar Film’s proposed solution is that we go back to fat and cut out the sugar. Tim Noakes of Banting fame will be pleased.
I rushed home after seeing this film and read the ingredient lists on my cereals and instant meals. I was horrified to see how much sugar was in them. But I was also left feeling confused. Is fat in or out? Is sugar really all that bad?
I’m no nutritionist so feel unqualified to say for certain. But, whilst I’m not going to jump on the bandwagon and vilify sugar, I think the sensible thing to do is cut out processed foods as far as possible and cook from scratch. That way I can control the amount of sugar and fat I add.
Woman in Gold
Woman in Gold is another interesting film released in South Africa on 31 July 2015. It features the true story of Maria Altmann, a Jewish victim of World War II’s Nazi Germany. Before Maria and her husband escaped the regime for America, the Altmann family’s wealth in the form of jewellery, ornaments and artworks were confiscated.
Woman in Gold, by artist Gustav Klimt, was among them. After the war the painting became famous Austrian property and grew to be synonymous with that country’s national identity. More than 50 years after the war reparations to war victims were initiated in Europe. This is where the Woman in Gold story begins. Maria (Helen Mirren) enlists the help of a friend’s lawyer son, Randy Schoenberg (Ryan Reynolds), and the pair pursue the return of Woman in Gold to its rightful owner.
There were some elements of this film I did not like. Its Hollywood flavour, its intimation that justice can be found only in the USA, the unbelievable passion displayed by the lawyer, and the indisputable monetary attraction of the value the painting: several hundred million dollars.
What did give me food for thought, however, was the parallels Maria’s story draws with reparations to victims of apartheid in South Africa. At one point in the film, Randy asks why Maria is concerned about something that happened so long ago. Her response: “And you think 50 years is a long time?” Likewise, 50 years is not a long time for casualties of apartheid, real people who lost possessions, land and homes.
That Sugar Film and Woman in Gold are on at Cinema Nouveau countrywide.