Spider-man: Into the Spider-verse

In this rendition of Marvel’s Spiderman the world wakes up to a new Spider-man. A young black boy named Miles Morales who lives in New York City is bitten by the magic spider and he starts walking up the sides of buildings. Miles meets the Spider-man he is taking over from. He’s a jaded, overweight white boy who gallantly fights on saving the city from baddies, despite being out of shape. Then, into Miles’s dimension come various past versions of ‘Spider-man’. A funky Spider-girl (who looks like Scarlett Johansson), an eighties Japanese talking toy Spider-girl, and a hilarious sixties comic book Spider-Ham. And more. Something has gone wrong in the cosmos to cause all these Spider-men/girls to congregate in one dimension and it’s up to Miles to set it right or they’ll get sucked into a vortex and cease to exist as individuals.

This Spider-man movie is an animated one. More than that, the look and feel is intended to be that of a comic book. The characters look like drawings, the colours are washed-out like typical comic-book paper, and text appears over the characters’ heads now and then. I think that’s partly why I enjoyed Spider-man: Into the Spider-verse. It’s not a comic book posing as real life, as the other Marvel films do when they use real people. Because of the comic-book medium presented in this one, the viewer doesn’t have to pretend it’s real; they can just enjoy it for what it is – a comic. Other typical comic-book elements that appear are: humour, and characters falling from dizzying heights and yet surviving.

Spider-man: Into the Spider-verse is a tale about celebrating and preserving differences. The new Spider-man is a black boy, who comes of age in this tale. His difference from the earlier Spider versions race-wise is obvious. But the other Spider-men/girls aren’t thrown out or denigrated in any way. They all have something to contribute for who they are and the presentation is tasteful and unforced.

Spider-man: Into the Spider-verse opens at cinemas in South Africa today 14 December 2018. It’s an enjoyable film for adults and children alike.

 

 

Spider-Man: Homecoming

In the latest film version of Spider-Man the superhero is mentored by Iron Man and battles Vulture using a mixture of a specially designed suit and human integrity. This mixture of the ‘super’ and the ‘human’ flows throughout the film. Spider-Man is a geeky teenage boy, Peter Parker (Tom Holland), who has an even more geeky friend, Ned (Jacob Batalon). Iron Man has another life as a businessman called Tony Stark (Robert Downey Jr), while Vulture also has an ulterior, human, identity as Adrian Toomes (Michael Keaton).

Superman: Homecoming by Bleeding Cool

The relationship between Stark and Parker is handled with humour, and Parker’s efforts as a superhero feature enthusiasm coupled with inexperience. The result is a much lighter handling of the normally dark Spider-Man stories. I welcomed this. Families, too, with children and young teenagers will enjoy the more relatable characters. Modern-day special effects such as cell phones and computer technology are juxtaposed with other-world weaponry and this, too, emphasises the mix of human and super.

But the humour and action does border on the slapstick and I didn’t always enjoy the silliness. Robert Downey Jr and Michael Keaton are pretty good in their roles but Marissa Tomei as Peter’s aunt looks decidedly too sexy for her role and Peter’s flame, Liz (Laura Harrier), is wimpish.

Overall, Peter’s initiation as Spider-Man, and the mix of ordinary, modern-day life with the heroic, make Spider-Man: Homecoming fun to watch. The film opens at cinemas in South Africa on 7 July 2017.