A review by Brenda Daniels
Captain America faces many foes in this Marvel production of the superhero which is due for release in South Africa this week. The enemies come in several guises and our hero has a hard time telling friend from foe.
Played by handsome Chris Evans, Steve Rogers is, however, able to trust Natasha (a slim, red-headed Scarlett Johansson) and an out-of-shape Falcon (Anthony Mackie). Together they fight the mysterious Winter Soldier, the brains behind this super soldier, and ultimately the threat to freedom itself.
An exciting car chase featuring a battle-scarred Samuel L Jackson as Nick Fury is good to watch. Some giant machines designed for world-domination, lots of fight scenes and a good versus evil plot make for entertaining viewing – particularly in IMAX 3D.
But the fighting seemed over the top to me and too violent, even for a superhero. And the Captain’s bemoaning of the good old days at the beginning of the film got a bit tiresome. For our hero the “good old days” meant the freedom that America espoused. It was this that he felt ultimately called to defend; a good bit of “democracy” propaganda I liked least of all.
The film concludes satisfyingly open ended so fans can look forward to a sequel.
Captain America: The Winter Soldier opens at Ster Kinekor Theatres in 2D, 3D and 3D IMAX on Friday 28 March. It carries an age restriction of PG13.
Chris Evans on set of Captain America: The Winter Soldier
Scarlett Johansson at a press release for Captain America: The Winter Soldier
A review by Brenda Daniels
Her, starring Joaquin Phoenix and the voice of Scarlett Johanson, is a Cinema Nouveau film which opens on Valentine’s Day. Billed as a romance, Her is the story of how writer, Theodore Twombly (Phoenix), recovers from the loss of a previous relationship by meeting someone else. The someone else turns out to be Samantha (Johanson), a, wait for it, OS (computer operating system).
Theodore’s OS is an intelligent programme that learns as she goes along and forms a close relationship with Theodore, talking to him through an earpiece, initiating calls and even performing some heavy breathing during intimate moments.
Theodore’s few friends don’t find it strange that he’s dating an OS – partly because many of them are too. Set in a futuristic Los Angeles, people are seen walking the streets and corridors with microphones in their ears talking animatedly with disembodied “people”, not unlike they do today. And this is where I think director, Spike Jonze, means us to see the absurdity of their (and our) disconnected lives. Lives in which we seem to bond more over devices than we do face to face. Lives in which a computer, not a person, is able to meet our need for friendship and worth and help us in turn to negotiate the world.
Although Her’s premise is an interesting one, the action drags. I found the characters’ constant self-absorption and the lack of humour in this two-hour movie tiresome after a while. An interesting idea, but boring in parts, Her will not appeal to everyone.
Her releases at Cinema Nouveau Theatres on 14 February.
Scarlett Johansson, a digital painting by Marco nl (source: Creative Commons)