Everybody Wants Some is a film about a group of college baseball players. The action revolves around an all-male group reconvening at their common digs a few days before the academic year begins. Made up of a mix of juniors and seniors the young men struggle to get to know each other and in which sector of society they fit. In various groupings they try out – what amounts to – different music styles and the identities accompanying that music. So from country and western gigs to pop, metal and fantasy (okay the latter is not a music genre but a unique grouping nevertheless) they dress accordingly and try to fit in. Some of their social jostlings parallel how the boys are later to work as team members on the baseball field. Academia is merely an afterthought when compared to these important musings on the meaning of life.
A review by Roxanne Daniels
As the life of Mason (Ellar Coltrane) seems only disappointing, so the movie became disappointing as I watched it. Although nominated for six Oscars and has been ranked as #137 on IMDB’s list of top 250 movies, I did not enjoy this film. It follows the life of one boy (along with his family and friends) for 12 years. What is unique about the film is that it was a 12 year project, using the same actor for the boy as he grew up into a lanky teenager who did all the ‘teenager things’; trying sex, drugs and alcohol.
Mason is exposed to divorce at a young age, seeing his mother (Patricia Arquette) divorce three times from drunken irresponsible men before he leaves to go to university. Although Mason‘s onscreen father (Ethan Hawke) is one of those men his mother divorces, he turns out to be faithful to his son offering loving advice along the way despite his own mishaps.
Even though his mother picks herself up, goes back to school and acquires her dream job in teaching psychology, she offers the least hopeful advice and guidance despite her best efforts to raise her son well.
For the duration of the film there was little hope along the way with none of the chief characters agreeing that they have purpose in this world. They all seemed to bumble along waiting to discover meaning which never came.
Perhaps it was the minor characters that added some light to this film; Mason’s step grandmother confidently gave him his first Bible on his 15th birthday with the thought that it would add direction to his life. A foreign worker who spoke little English when fixing some pipes for Mason’s mother, turned up later in the film having heeded her advice; he had gone to school, learned English and became a manager at restaurant while studying a Bachelor’s degree. He thanked her with happiness.
I was left feeling bereft for the characters whose lives were closely followed, but happy to be reminded that I have my own purpose and meaning in life. I only wish that Mason could have that too.
Boyhood is out on DVD in South Africa and has been nominated for six Oscars. The Oscars award ceremony takes place on 22 February 2015.