Lead up to the award ceremony: Cinema Nouveau Announces Pre-Release Screenings of Three Multi-Nominated Oscar Contenders

Each of the three pre-release titles, August: Osage County, Nebraska and Philomena, will have one screening each at 8pm on 24, 26 and 27 February respectively, at the four Cinema Nouveau theatres at Rosebank Mall in Johannesburg, Brooklyn Mall in Pretoria, Gateway in Durban and the V&A Waterfront in Cape Town. Bookings are now open for these three special pre-Oscar screenings.

The talented Meryl Streep, who is no stranger to the Best Actress category, is once again nominated in this category for her role in August: Osage County, which will be pre-released at the four Cinema Nouveau theatres on Monday, 24 February at 8pm. Another big Hollywood name, Julia Roberts, shares the screen with her in this film and is up for Best Supporting Actress.

On Wednesday, 26 February at 8pm, Cinema Nouveau audiences are transported to another American state with the pre-release of Nebraska. With an impressive six Oscar nominations, for Best Picture, Best Actor – Bruce Dern, Best Supporting Actress – June Squibb, Cinematography, Best Director – Alexander Payne, and Original Screenplay, this black-and-white masterpiece explores another complex family relationship.

With four Oscar nominations – Best Picture, Best Actress – Judi Dench, Best Original Score and Best Adapted Screenplay – Philomena plays on the Cinema Nouveau circuit at 8pm on Thursday, 27 February. It releases nationally on 28 March.

When former journalist Martin Sixsmith (Steve Coogan) is dismissed from the Labour Party in disgrace, he is at a loss as to what to do. All that changes when a young Irish woman approaches him about a story of her mother, Philomena (Judi Dench), who had her son taken away when she was a teenage inmate of a Catholic convent. Martin arranges a magazine assignment about Philomena’s search for her son that eventually leads to America. Along the way, Martin and Philomena discover as much about each other as about her son’s fate, as their basic beliefs are challenged.

Cinema Nouveau audiences can watch these films and make their predictions before the winner of “Best Picture is announced during the early hours of 3 March.

The full list of nominees vying for this prestigious award are: Gravity; Captain Phillips; American Hustle; Dallas Buyers Club; Her; Nebraska; Philomena; 12 Years a Slave; and The Wolf of Wall Street.

For more information and to make a booking, visit www.sterkinekor.com or www.cinemanouveau.co.za. Call Ticketline on 082 16789.

The 2009 Academy Awards (Source: Creative Commons)

The 2009 Academy Awards (Source: Creative Commons)

The 31st Academy Awards (Source: Creative Commons)

The 31st Academy Awards (Source: Creative Commons)

The Book Thief moves, teaches, impresses

A review by Brenda Daniels

The Book Thief is the story of young Liesel Meminger who lives in Germany during World War II. Unable to keep her children, Liesel’s mother sends Liesel and her younger brother by train to a village in Germany to live with foster parents Hans and Rosa.

In the opening moments of the film, Liesel’s brother inexplicably dies leaving only Liesel to start a new life with strangers. During a quiet burial ceremony beside the train tracks the cleric drops a book which Liesel picks up and keeps.  It’s title? “The Gravedigger’s Handbook”. This introduction sets the scene for the film: a film about death, about book theft, and about the relationships forged by a young girl through and around those books.

Based on the book of the same title by Markus Zusak, The Book Thief depicts the desperately sad effects of war – and death – on real, small people. Death surprises its victims – depicted in the film by juxtaposing beautiful music and calm narration with violent content. But somehow the subject of death is not morbid and by the end viewers are simply left with a sense of how close death is to each of us. Relationships in The Book Thief are acted with depth and finesse, especially by Geoffrey Rush (Hans), Emily Watson (Rosa) and Sophie Nélisse (Liesel). And it is the relationships that are forefronted; Germany and WWII form only the backdrop.

The film follows the same lyrical quality as the book. It is a beautiful portrayal of how important relationships are in the face of suffering. It is a film that teaches, that moves, that leaves a lasting impression. I will treasure it along with my copy of the book.

The Book Thief opens at NuMetro cinemas in South Africa on 24 January. It carries an age restriction of 10PGV.

Illustrated page from The Book Thief  (Source: Creative Commons)

Illustrated page from The Book Thief (Source: Creative Commons)