Denial Pits the Rigors of Fact Against the Excitement of Conspiracy Theory

Denial is based on the book History on Trial: My Day in Court with a Holocaust Denier by Deborah E. Lipstadt. The cast of main characters is all British, with the exception of one South African, Caren Pistorius, who plays a junior paralegal. Even the one American character in the story, Lipstadt, is played by a Briton, Rachel Weisz.

The story revolves around exactly what the title of the book proclaims: a

Image source: Pretty Famous

Image source: Pretty Famous

day in court. Historian, Lipstadt, is accused by holocaust denier David Irving (Timothy Spall) of defaming him in one of her publications. Passionate about her subject, and Jewish herself, Lipstadt decides to go to court, rather than settle out of it. She is appointed a British legal team who takes on the case pro bono (although funding needs to be raised to pay costs). Despite its brilliance the team’s seemingly objective, very methodical approach to the case conflicts with Lipstadt’s strongly held – and voiced – values on her subject. Much of the story actually revolves around Lipstadt’s own coming to terms with their methods, one of which involves her not even taking the stand and thus remaining silent throughout the trial. This goes against her grain and is an exercise in “self-denial”, a line which appears in a conversation in the film.

A major aspect of the story is the depiction (and explanation) of the British legal system which is different to the American one. Whilst solicitors do the behind-the-scenes work, explains solicitor Anthony Julius (Andrew Scott) in one scene, barristers are the ones who argue the case in court. In Denial Tom Wilkinson plays Richard Rampton, the barrister. Viewers are privy to the team’s decision to argue the case by proving Irving to be a racist, anti-Semite and a wilful liar. This tack requires a great deal of discipline, a huge amount of research (performed by an enormous team of historians, professors and students), and a firm decision not to defend the holocaust by putting survivors on the stand.

Tom Wilkinson performs his role as barrister Richard Rampton with delicacy and balance. Rampton approaches his job with scientific precision, but also manages to connect with his emotional and upset client, Lipstadt. He consciously avoids eye contact with David Irving in court, a tactic designed to unsettle the opposition. But when the court case is over, Rampton continues to ignore Irving thus revealing his true feelings. This subtle display of emotion made me weep.

Irving is well-portrayed as an ill-informed radical with his own agenda. He reminded me of purveyors of other conspiracy theories, proponents of which unfortunately get lots of attention in the media while the plodding, scientific, historical facts get overlooked. This may in fact be what happens to this film. Denial is not an action film. It tells a relatively small story despite its weighty subject, and may therefore not attract large audiences. I, however, was completely absorbed from beginning to end and highly recommend this tightly acted, carefully portrayed film.

Denial opens at cinemas in South Africa on 10 February 2017.

View the trailer of Denial here:


South African novel The Keeper is almost a keeper

A review by Brenda Daniels

The Keeper is written by South African author Marguerite Poland. It tells the story of Hannes Harker, a lighthouse keeper who worked in the 1950s before automation takes over. Extremely efficient, Hannes is totally dedicated to his job and jumps at the chance to take up a remote posting on an island off the southern Cape coast.

Accompanied by his morose wife Aletta, the two arrive on an island inhabited largely by workers who collect and make compost from the abundance of available bird faeces. The place is also full of memories for Hannes. Hannes’s father was a lighthouse keeper and his mother, who lived with him, died mysteriously when Hannes was just a boy.

Deeply affected by the trauma of his childhood, Hannes is startled one day to find a special memento made by his mother. In his shock he stumbles and falls, badly injuring himself. He has to be taken to the mainland and spends a long time recuperating in hospital.

Much of the book is written from the viewpoint of Hannes relating his story to a wise, patient nurse, Sister Rika. As he tries to understand his past, Rika, in a sense, becomes his keeper.

The Keeper is a lonely, depressing story, something I didn’t enjoy. It is saved from complete morbidity, however, by the underlying theme of relationship. It is also beautifully and simply written, contains deep meanings that require some reflection to be appreciated, and is a welcome South African novel.

Photo supplied by Penguin.

Photo supplied by Penguin.