Stereotyping ‘Male’ Characteristics: Atomic Blonde & A Family Man

Image source: Ster Kinekor

In the spy action thriller, Atomic Blonde, Charlize Theron acts as a British MI6 agent, Lorraine Broughton, who is sent into cold war Berlin to recover a top secret document. The film opens with Broughton being grilled post-operation by her superior, Eric Gray (Toby Jones), and CIA agent Emmett Kurzfeld (John Goodman). She looks battered and bruised. The story goes into the past from here, flashing forward at intervals to further debriefing scenes in which Broughton seems to be getting a raw deal.

Broughton was chosen for this difficult mission, it transpires, because of her amazing skills at detecting and beating up hordes of fighting men. Warned not to trust anyone Broughton is even suspicious of her MI6 contact in Berlin, David Percival (James McAvoy). A number of important foes with names I found hard to keep a track of come and go, as do groups of others sent to confront Broughton and prevent her succeeding in her mission.

The only person Broughton seems to genuinely connect with is female French agent Delphine Lasalle (Sofia Boutella), a vulnerable,

Image source: Ster Kinekor

inexperienced first-timer. The two women have sex.

In Atomic Blonde there is action, fighting, double crossing and plot twists from beginning to end. I particularly liked a scene in which Broughton slips into a group of people escorting an important contact while snipers aim at them from buildings up above. In a synchronised move everyone in the crowd puts up black umbrellas obscuring the prey from the shooters’ view.

But Broughton’s brilliant fighting skills seemed unrealistic. The film’s feminist stance – the two main female characters are virtually the only goodies – is undermined by the aggrandisement of male-type characteristics of physical aggression. Paired with lingering camera shots of Theron’s beautiful profile, this focus wasn’t enough to carry the shallow plot.

Atomic Blonde opens at cinemas in South Africa on Friday 25 August 2017.  

Image source: flickeringmyth.com

Another film that portrays a stereotypical male role, this time in the form of the undesirable absent father, is A Family Man.

Dane Jensen (Gerard Butler) works for a recruitment agency and will do anything to meet his figures every month. He undercuts other agents, lacks integrity when dealing with job seekers, is constantly robbing his family of time with them, and puts undue pressure on his son Ryan (Max Jenkins).

When Ryan becomes ill Jensen is challenged to shape up and become a better man, husband and father.

A Family Man is a moralistic story of character building. But, like Atomic Blonde, has unrealistic aspects. Recruitment is equated with the tough world of stock trading. Jensen’s wife is too forgiving. And the denouement is much too neatly tied up. I found the plot bitty, Butler’s American accent annoying, and the ‘absent father’ theme a bit tiresome.

A Family Man is currently on circuit in South Africa.

 

Message in The Monuments Men meanders vaguely

A review by Brenda Daniels

The Monuments Men is a World War II drama based on a true story. It recounts how artworks in the form of paintings and sculptures, stolen by the Nazis during the war, were recovered. The film features a cast of big names including George Clooney, Matt Damon, John Goodman, Hugh Bonneville and Bill Murray.

Seven men, previously unconscripted because of age, are handpicked by Frank Stokes (Clooney) for their art expertise. They don uniforms right near the end of the war and set out on their mission to find the artworks and return them to their rightful owners.

There are no flashy heroics in this film. The characters are old and ordinary. And their mission of saving artworks seems silly when compared to saving human lives. But, argues their leader Stokes, preserving art is preserving culture. And culture reflects the importance of a people and their achievements.

What the group did recover is indeed staggering. What they helped prevent is monumental. Hitler had plans to build his own Führer Museum. He needed art, books and other treasures to fill it so stole what he needed, storing it up in hiding places. This ragtag bunch of chaps was instrumental in putting an end to his dreams.

Unfortunately The Monuments Men meanders through a vague plot, throwing in some sentimentality and personal suffering just for good measure. This makes what promised to be a fine film slow and unnecessarily long.

The actors do a good job, particularly Cate Blanchett as a sour but helpful source of intelligence. As a group they don’t leave a lasting impression nor do they capitalise on some potential for humour. Although The Monuments Men fails to make more of its noble message, the message does get through and is worth watching just for this.

The Monuments Men opens at NuMetro Theatres in South Africa on 14 February.

MFAA soldiers recovering looted paintings from Neuschwanstein Castle               (Source: Creative Commons)

MFAA soldiers recovering looted paintings from Neuschwanstein Castle (Source: Creative Commons)