Kidnap: A Showcase for Tough Women

Source: Common Sense Media

Kidnap has a simple plot. Mother loves son; son is kidnapped; mother stops at nothing to find son. The premise is equally simple: this mother is one tough cookie and shouldn’t be messed with.

The story is set up for the viewer right at the beginning. Karla Dyson (the beautiful Halle Berry) is a struggling waitress who works in a useless restaurant with awful customers. Her son – Frankie (Sage Correa) – is her life. Her ex-husband wants custody of the boy. So when Frankie is inexplicably taken from a funfair (where Karla just sees him being bundled into a car) she has nothing but her son to lose.

The rest of the film makes room for Karla’s development. As Karla becomes more exasperated with the kidnappers – and the authorities – she grows even more determined and resilient. Several external factors make her job harder: she loses her phone, she runs out of petrol on this (very) long drive, and she tries to trade her purse for the boy. What doesn’t seem to get in her way, however, are the public in general and any physical injuries. At certain points cars are spaced evenly so that the baddies and their pursuer can easily dodge in and out. And despite several horrendous crashes Karla surfaces each time to continue her pursuit.

What Karla eventually finds is something part of a much bigger issue which does lend more purpose to this car chase. The final scenes are quite nail-biting too. But on the whole Kidnap is too formulaic and superficial to be much more than a showcase for how tough and capable this modern woman is.

Kidnap opens at cinemas in South Africa on 8 December 2017. It carries an age restriction of 13V. #FridayFun

New X-Men, with an opening scene best left in the past

A review by Brenda Daniels

Mutants attack earth relentlessly in the opening scenes of this new X-Men movie. Despite their best efforts at retaliation, the X-Men clearly are not powerful enough to fight off their attackers and things look desperately grim.

The scene is accompanied by the voice of a narrator who asks a question worded something like this: Do we have to accept our fate or can we change what happens?

This question forms the basis for X-Men: Days of Future Past, the latest installment in the X-Men movie series. After the opening scene ends (which it did much to my relief), the story begins in earnest with the X-Men discussing how to solve the mutant problem that is decimating earth.

Their solution is to send one of their members back into the past in order to intercept Raven’s (Jennifer Lawrence) actions at a particular point, actions that had set the mutants in motion. Whilst Charles Xavier is the best choice to convince Raven, he isn’t physically capable of making the time-travel journey, bound as he is to a wheelchair.

Wolverine (Hugh Jackman), with his twitching muscles and visible veins, is therefore chosen to go instead. Wolverine makes the journey successfully and meets up with a young Charles Xavier (James McAvoy). A very different Xavier  then, he at first resists Wolverine’s efforts at persuasion before giving in and helping to contact Raven. The action then proceeds along these lines.

Apart from Erik’s (Michael Fassbender) metal-bending antics, I quite enjoyed the story. Peter Dinklage as the evil Dr Trask makes an interesting enemy and there is a good amount of depth displayed within and between the characters. The film ends with just a hint that it’s not all over yet… So fans can probably look forward to more…

X-Men: Days of Future Past opens at Nu Metro cinemas in South Africa in 2D and 3D on Friday 23 May.

Soon to be released in South Africa - X-men: Days of Future Past

Soon to be released in South Africa – X-men: Days of Future Past

Ian McKellen (Magneto) at the San Diego Comic Con International

Ian McKellen (Magneto) at the San Diego Comic Con International