The Lion King: Animation or CGI?

It’s 25 years this year since The Lion King animated movie released. Two thousand and nineteen sees a computer-animated (or computer-generated imagery, CGI) re-release of the same story. The visuals in this new release are absolutely stunning. And the same unforgettable music that defined the first one is used, such as Hakuna Matata, Nants’ Ingonyama and The Lion Sleeps Tonight.

The same well-rounded, satisfying coming-of-age story features. A young lion, Simba, is destined to be king. Through the machinations of his evil uncle, Scar, tragedy strikes Pride Rock and Simba flees. He befriends a comic warthog and meerkat pair who teach him not to worry about anything. Simba then spends his days avoiding his past, shirking his responsibilities, and generally living in a world that doesn’t function as it should. Duty calls, however, and Simba returns to Pride Rock to put things right.

The 1994 The Lion King was the very first video (note: not DVD) owned by my – then very young – children. It was also the only one for a long time. Hence it was watched over and over again and my children and I became brilliant at quoting lines and singing music lyrics.

Timon and Pumbaa, and their counterparts the snivelling, servile, sneaky hyenas became embedded in our memories. The well-defined characters of Mufasa and his anti-hero brother Scar (Simba’s father and uncle respectively) and their motives were clear in our minds. And the emotions invoked by music, romance, visuals of the beautiful African plains, and the tragedy of death will remain with us forever.

Gosh, I’m being dramatic and terribly nostalgic here. But I couldn’t stop comparing the two films while watching the new one.

So how does the new The Lion King compare to the old? I think the old one edges out this exceptional new version. There’s just something about animation. Even young children know that animation is not ‘real’. In animation comedy, accidents, dialogue and drama can all be ramped up. This heightens the entertainment for the viewer. As marvellous as this computer animated The Lion King is, it looks so real that I think the antics have to be dialled back so as to be in keeping with the ‘realness’ of the medium. And in that you lose something.

The Lion King opens at cinemas in South Africa on 19 July 2019. Don’t miss it.

 

A Handful of Fun

Weekend weather forecast looking grim? Don’t let that stop you going out. Destination: iZulu Theatre, Sibaya Casino, just a few kilometres north of Umhlanga Rocks. Reason: to see the show A Handful of Keys. Stars: Roelof Colyn and James Smith. Why: Because it’s HUGE fun.

The set on the stage in the fairly grand iZulu theatre is simple: two grand pianos. Combined with two extremely talented musicians and

James Smith & Roelof Coelyn

direction by Ian von Memerty, this is all you need. Roelof and James play all the songs in this two-hour show, bar one piece, sans sheet music. The songs showcase different eras, well-known male and female pianists, South African compositions and a splendid Broadway musical medley. The latter comprises 148 songs and is played in just 12 minutes. I recognised many of the songs and sang (under my breath) and tapped my feet to the beat.

But even if the music and historical artists don’t ring a bell the humour and narration by Colyn and Smith will keep you entertained. They mock everyone they play and sing – from Elton John to Liberace, Barry Manilow to Richard Clayderman, Barbara Streisand (complete with a squint) to Stevie Wonder. They don’t spare themselves either, joking about Colyn’s age, and Smith’s wild hair and huge mouth. Costume changes, physical antics, word changes, piano swapping, completely goofy facial expressions and word play make the show so entertaining I absolutely loved it. It draws in the non-musical and at the same time highlights the superb musical prowess of these showmen.

Go on – treat yourself (a line from the show) and book to see A Handful of Keys. Tickets are available from Computicket, www.computicket.co.za, 0861 915 8000.

Show schedule: Friday 10 November 8pm
Saturday 11 November 3pm and 8pm
Sunday 12 November 3pm
Tuesday 14 to Friday 17 November 8pm
Saturday 18 November 3pm and 8pm
Sunday 19 November 3pm.