Isle of Dogs is a Wes Anderson movie and Wes Anderson has a unique style that makes his productions quirky. My best example is The Grand Budapest Hotel (https://wp.me/p4c1s1-5M).
Photo: Press/Fox Searchlight
Wes Anderson tropes in Isle of Dogs are:
- The creation of a separate world. In this stop-motion animation the world is ‘Trash Island’ off the coast of Japan. It’s a place where all the unwanted stuff goes – trash (obviously) and, in this case, dogs. Also, several of the characters speak Japanese and are not always translated into English. One of these is the cat-loving dog-hating Mayor Kobayashi who banishes dogs to Trash Island in the first place. There is a theatricality about being aware of this separate world and I did feel like I was watching a Japanese comic book production.
- Children act like adults – in this case 12-year-old Atari who endangers his life in a mission to find his beloved dog Spots. Atari actually flies an aeroplane to the island, crash lands and spends the rest of the time hobbling around with a bad leg and a black eye. Another child on the mainland (an unfortunate choice I felt of an American exchange student Tracy Walker) uncovers the sinister plot behind the whole story and the two children heroically bring about change.
- Speech patterns – The dogs – although not children – speak in distinctive adult tones and most of the lines are delivered deadpan which definitely adds to the comical nature of the film. It is this trope, mostly, that keeps Isle of Dogs from being a purely children’s animated film.
I enjoyed the ‘comic-book’ feel of the film. But I don’t think it’s a film many will enjoy. The fact that it was released in South Africa through Cinema Nouveau is perhaps an indication that it isn’t aimed at the majority of viewers. Alissa Wilkinson (https://bit.ly/2GkLNYv) felt that the downfall of Isle of Dogs was its lack of an important message. I disagree somewhat. I think the separate island for storing the unwanted is a modern theme that resonates in our global, trash-overflowing society.
Isle of Dogs is currently showing at cinemas in South Africa.
his father’s student research assistant, Oliver (Armie Hammer). The story is one of emerging identity – hence the title. Set as it is in the 1980s, identifying oneself as gay then would not have been easy, and any ‘victories’ in this regard are swallowed up by societal norms. The setting is in Italy at Elio’s parents’ villa, a home the family occupies away from the USA during the summer. A mix of languages (English, French, Italian and German) and a background of academia in the form of literature and archaeology are layered onto the mellow Italian lifestyle setting. The mixture makes for an attractive exoticness. But it’s not enough to give Call Me By Your Name enough depth. The developing relationship is foregrounded and is dealt with sensitivity, yes. But at two-and-a-half hours in length the light treatment of the social and intellectual landscape leaves Call Me By Your Name lacking in oomph. The excellent acting – especially by Timothée Chalamet – is certainly a redeeming factor.
19 January, runs until the 29th so you still have a few days left to watch. It’s free in Africa – hooray! Tip: logging in via Facebook is an easy login option. Check out the MyFFF at 
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