National Arts Festival, Grahamstown: A Perspective

Day two in Grahamstown dawned difficult for the humans of Feast of Tales, which made the day’s entertainment ahead all the more welcome. First up was Brothers Streep: Same Streep Different Day. Unlike the previous version we had seen this show involved just the two ‘brothers’ rather than the whole band. The pair’s constant banter, their originality, and their songwriting – in the present as it were – was clean, enjoyable and made us forget our troubles. As the weather turned stirringly blustery we hurried off to one of the fest’s scheduled films, Sophie Scholl: The Final Days. This absorbing film tells the true story of a brother-and-sister team who were part of the White Rose student movement in Nazi Germany. Told mostly from the sister’s (Sophie’s) perspective, we learnt how Sophie and her brother were arrested and ‘tried’ for bravely disseminating anti-Hitler literature. Sophie’s Christian faith is portrayed as a strong, yet gentle, motivator for her actions. Own the Spotlight was the last viewing of the day for us, a dance show involving beautifully choreographed pieces of ballet, modern and contemporary dance set to engaging movie sound tracks.

National Arts Festival Grahamstown: A Perspective

On the first day of the festival, A Feast of Tales watched Breaking the Wall, a show which set the scene for our day ahead. In this two-man theatre piece the actors did a good job of making the audience feel uncomfortable by presenting issues of race in a humorous yet confronting way by periodically addressing us directly, thus ‘breaking the fourth wall’. By contrast, Whistle Stop was a flawless, tense, well-elocuted show in which the two actors expressed their thoughts in soliloquies. Those thoughts revolved around their attraction for one another, thoughts laden with emotion, conflict and sexual tension, displayed through movement and the use of one stage prop: a bench. Our lighthearted entertainment of the day was Brothers Streep: Stand up Musicians Plugged, a musical in which a band sang originals like the Steri Stumpi song, Intermission and the Day after Christmas, poking gentle fun at a variety of things. Not so lighthearted was Comedy Masterclass by Durban-based Aaron McIllroy. This seasoned actor-singer ‘taught’ his audience the do’s and don’ts of what appeared to be his autobiographical journey with comedy and music. The ‘comedy’, while reflecting the actor’s great versatility, ended with the sombre Charlie Chaplin piece, Just Smile.