Movies and Novels: Fact or Fiction, Fake News or Entertainment? Part 1

Part 1

I listened to a book on Audible recently called Lilac Girls by Martha Hall Kelly. It’s a novel set in World War II and beyond and covers the stories of three very different women. One is an American actress-cum-socialite-cum-charity-fundraiser called Caroline. The other is a Polish victim of Hitler’s only concentration camp for women, Ravensbruck. Her name is Kasia. And the third is a German doctor who conducted experiments on Polish prisoners like Kasia at Ravensbruck. Her name is Herta. Kelly’s description of the medical experiments the Polish ‘rabbits’ underwent is gruesome. These particularly unfortunate prisoners were called rabbits because of the experimental nature of the operations that were conducted on them, and because they were forced to hop instead of walk after the procedures that affected their limbs.

Caroline’s involvement with the prisoners came into effect largely after the war ended. She helped secure medical treatment in America for these ‘rabbits’ and also helped to have Herta’s medical licence revoked. After the war Herta had initially been sentenced to 20 years’ imprisonment for war crimes, but served only five years. After her release she began practising medicine again until a former Polish prisoner recognised her (in the book this is Kasia) and brought this fact into public knowledge.

Kelly’s account is deeply personal and riveting. And I highly recommend the book for its gripping nature and its important contribution to making certain historical accounts known. The author explains in a lengthy Autor’s Note how she composed the story, and which parts are fact and which a work of her creative imagination. For instance, Caroline’s romance with a French actor is fiction. And Kasia is a composite character of a number of like women at Ravensbruck.

Another book I’ve read recently, this time on Kindle, is Reel History by Alex Von Tunzelmann. Von Tunzelmann wrote a regular column for The Guardian entitled Reel History. In it she reviewed movies, commenting mainly on their historical accuracy. This book is a compilation of many of those reviews. In her reviews the author was at pains to separate fact from fiction and rated the films according to their historical accuracy and entertainment value. Mel Gibson’s Braveheart, for instance, is given an entertainment grade of C- and a history grade of: fail. Yes, that surprised me. I’m no historian and I must bow to the superior knowledge of Von Tunzelmann, an historian. When it comes to entertainment, apart from Von Tunzelmann’s grading, her writing style itself is witty and very entertaining. She says of Braveheart, ‘Tremendously lauded at the time of its release and showered with five Oscars – including Best Picture – it is, historically speaking, one of the daftest films ever made.’ I enjoyed reading the book and would recommend it, especially to people interested in the historical accuracy of films. Pointing out historical inaccuracies, particularly in a film that won Oscars, is valuable.

Part 2 to follow on 7 April 2017: When I compare the two media of storytelling – novels and filmmaking – I have to wonder, though, why films come in for more criticism than do books for lack or otherwise of accuracy…

Angst and Entertainment with Audio Books

One of the members in the book club I recently joined regularly listens to audio books. I had never tried audio versions before but was keen for a number of reasons. I could give my eyes a rest. I could listen while doing other things like cooking, travelling and housework. All of this would mean getting through books quicker. I decided to give it a go with the next book on the club’s list: The Kind Worth Killing by Peter Swanson. I signed up with Audible through Amazon. This service costs around $15 a month. I’m not sure at this stage how many books I can get for that price but will keep a close eye on it. Kindle versions of books, for instance, are always cheaper than the paper version, even when converted to South African rands. So I’ll compare the books on Audible (which I can cancel at any stage) with Kindle as I go along.

the-kind-worth-killingThe Kind Worth Killing, it turns out, is full of sex and murder. The main character, Lilly, a calm and collected psychopath was fairly well drawn as a woman by a male author. At first I didn’t like the story, feeling like I’d entered a Gone Girl type tale narrated in American accents. But then the murder aspect became more intriguing and outdid the sex bits. Things were looking up and I found myself listening at every spare moment. The narration switches between two main characters, a writing technique I have come to enjoy as it adds to the tension. The conclusion to the book is quite satisfying if somewhat of a surprise. Appraisal: good for a first audible book experience.

What was a bit disconcerting about the experience, however, was how much I thought other people could hear of my book. I listened to it while travelling to East London by aeroplane and, despite using earphones, found myself self-consciously turning down the volume when the sex and murder heated up. At home I felt much freer. I removed the earphones, turned up the volume and carried my device from room to room. Even there though I wasn’t spared anxiety. We live in a townhouse just about two metres away from the next-door neighbours. “And then we had sex…” blared out from my bathroom too late for me to quieten the offensive words; goodness, I wonder what they thought of me?

Not to be dissuaded, I am pressing on with the audible experience. I look forward to the next one in my library: Catch 22 by Joseph Heller.