There was a ‘German Focus’ at this year’s Durban International Film Festival. Ten German films were screened as part of this focus. Lien Heidenreich-Seleme of the Goethe-Institut explained that the institute’s goal was to ‘undo stereotypes through visual storytelling’. There remained a general impression, said Heidenreich-Seleme, that German cinema was highly political and serious. The new filmmakers wanted to break that stereotype.
Well, I think they did a good job. I saw three of the ten and can recommend all of them. Humour, sensitivity, quirkiness, captivating cinematography and unique storytelling featured in various degrees in the films I watched.
Goodbye Berlin is the story of two fourteen-year-old boys (Tshick and Maik) who form an unlikely friendship one summer. Both social outsiders, the boys have absent/no parents and look for belonging and to be special to someone. They take matters into their own hands when they fail to be invited to a popular girl’s party, steal a car and set off across Germany in search of some mythical place. Along the way they forge a friendship that will ostensibly last a lifetime, discuss deep life issues, and develop a confidence that (Maik certainly) didn’t have before.
Another film that centred on friendship was The Most Beautiful Day. In this story two men in their thirties dying from incurable diseases meet at a hospice. Throwing caution out of the window the two go on a stealing spree, trade in the goods for cash and then set off on an African adventure. Apart from death the story touches on other sensitive issues like love, courage, commitment and treasuring what is important. But it never gets sentimental. A little silly in places The Most Beautiful Day is nevertheless very funny and – of interest to South African viewers – features a strong South African element.
Paula is an altogether different film to the two above and tells the story of German painter Paula Becker. Paula was a free-spirited young woman in the early 1900s, determined to do the unacceptable for women, which was to: paint for a living and paint in her own unique style. She did this, eventually. The story of Paula’s art is told in parallel to her personal love life. The sexual tension throughout the film is evident and forms an integral part of why (according to the storytellers in this film) Paula painted what she did. Carla Juri who played Paula was absolutely brilliant and the cinematography throughout its German countryside and Paris setting flowed beautifully.
I thoroughly enjoyed my experience of the German Focus at the 2017 DIFF. I only hope these features make it to the mainstream cinema circuit in South Africa.