A review by Brenda Daniels
The Monuments Men is a World War II drama based on a true story. It recounts how artworks in the form of paintings and sculptures, stolen by the Nazis during the war, were recovered. The film features a cast of big names including George Clooney, Matt Damon, John Goodman, Hugh Bonneville and Bill Murray.
Seven men, previously unconscripted because of age, are handpicked by Frank Stokes (Clooney) for their art expertise. They don uniforms right near the end of the war and set out on their mission to find the artworks and return them to their rightful owners.
There are no flashy heroics in this film. The characters are old and ordinary. And their mission of saving artworks seems silly when compared to saving human lives. But, argues their leader Stokes, preserving art is preserving culture. And culture reflects the importance of a people and their achievements.
What the group did recover is indeed staggering. What they helped prevent is monumental. Hitler had plans to build his own Führer Museum. He needed art, books and other treasures to fill it so stole what he needed, storing it up in hiding places. This ragtag bunch of chaps was instrumental in putting an end to his dreams.
Unfortunately The Monuments Men meanders through a vague plot, throwing in some sentimentality and personal suffering just for good measure. This makes what promised to be a fine film slow and unnecessarily long.
The actors do a good job, particularly Cate Blanchett as a sour but helpful source of intelligence. As a group they don’t leave a lasting impression nor do they capitalise on some potential for humour. Although The Monuments Men fails to make more of its noble message, the message does get through and is worth watching just for this.
The Monuments Men opens at NuMetro Theatres in South Africa on 14 February.
MFAA soldiers recovering looted paintings from Neuschwanstein Castle (Source: Creative Commons)
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